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Art Africa Magazine

edit post ART FAIR Africell Luanda Feira de Arte / Luanda Art Fair is Angola’s first art fair by Stephan Rheeder 15 April 2024 0 With five exhibitors, a solo show, live art and a talks programme, it will offer a platform for artists through galleries, collectors, curators, critics and journalists in Luanda to structure

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  • Aug 18, 2026earliest in window
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artafricamagazine.org > whose-waters-do-we-get-to-drink-from

WHOSE WATERS DO WE (GET TO) DRINK FROM? - ART AFRICA Magazine

3+ day, 3+ hour ago   (731+ words) Writing Art History Since 2002 The FNB Art Fair is many things, depending on who you ask. The funniest “hot take” is that this is the best edition yet. I usually ask how many art fairs you’ve attended; the answer is…...

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artafricamagazine.org > history-in-the-making-lauren-karazija-on-remixing-memory-material-and-form

History in the Making: Lauren Karazija on Remixing Memory, Material and Form

3+ day, 8+ hour ago   (511+ words) Writing Art History Since 2002 ‘Remixed: Entwined Histories and New Forms’ frames remixing as more than a creative technique, presenting it as a way of thinking across histories, cultures, and artistic traditions. What drew you to this concept, and why does…...

Painting
artafricamagazine.org > dressed-in-images-chalisee-naamani-enters-the-octagon

Dressed in Images: Chalis??e Naamani Enters the Octagon

3+ day, 10+ hour ago   (310+ words) Writing Art History Since 2002 Speaking with ART AFRICA, Naamani reflects on the Iranian Zurkhaneh as a space of physical and moral formation, the influence of motherhood on her practice, and the possibilities of collage in a world saturated with images....

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artafricamagazine.org > what-the-stone-remembers

What the Stone Remembers

3+ day, 10+ hour ago   (445+ words) Writing Art History Since 2002 The title ‘Get Me A Stone’ conjures both a private gesture and a charged political act. What first drew you to the stone as the heart of this exhibition, and how has its significance evolved as…...

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artafricamagazine.org > between-flight-and-falling-michael-richards-returns-to-brooklyn

Between Flight and Falling: Michael Richards Returns to Brooklyn

4+ day, 6+ hour ago   (203+ words) Writing Art History Since 2002 The Brooklyn Museum brings the work of Michael Richards into poignant focus with ‘Michael Richards: Free F’All’, opening 11 September 2026. Born in Brooklyn and raised in Kingston, Jamaica, Richards emerged as part of a generation of Black…...

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artafricamagazine.org > listening-to-the-landscape-akinbode-akinbiyi-and-abrie-fourie-at-javett-up

Listening to the Landscape: Akinbode Akinbiyi and Abrie Fourie at Javett-UP

4+ day, 6+ hour ago   (44+ words) ART AFRICA Magazine Writing Art History Since 2002 This exhibition will be on view at Javett-UP, Pretoria, on 17 September 2026. © ART AFRICA 2022. Website by AFRICAN POWER STATION All Rummy Bonus APK...

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artafricamagazine.org > amel-bashier-the-strength-to-be-seen

Amel Bashier: The Strength to Be Seen

1+ week, 4+ day ago   (149+ words) Writing Art History Since 2002 Sudanese artist Amel Bashier turns attention towards the women whose labour, resilience and presence sustain communities, yet whose contributions remain persistently overlooked. Opening at ZOLLAMT MMK in Frankfurt, ‘Essence of Life’ is Bashier’s first institutional solo…...

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artafricamagazine.org > colonialism-does-not-end-at-independence

Colonialism Does Not End at Independence

1+ week, 4+ day ago   (959+ words) Writing Art History Since 2002 Suzette Bell-Roberts: ‘Postcolonial?’ resists a purely chronological narrative; what does this disruption allow you to reveal about colonialism that a linear history cannot? Kieran Burns: There is a chronological thread, particularly from 1945 to the present, but…...

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artafricamagazine.org > following-the-light-zohra-opokus-textiles-of-memory-and-becoming

Following the Light: Zohra Opoku???s Textiles of Memory and Becoming

1+ week, 4+ day ago   (175+ words) Writing Art History Since 2002 In ‘We Proceed in the Footsteps of the Sunlight’, Ghanaian-German artist Zohra Opoku brings together ten years of a practice shaped by movement, inheritance and the continual reconstruction of self. Presented at Zeitz MOCAA in Cape…...

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artafricamagazine.org > freedom-and-futures-emancipatory-art-in-africa-1956-1982

Freedom and Futures: Emancipatory Art in Africa, 1956???1982

1+ week, 4+ day ago   (182+ words) Writing Art History Since 2002 What does freedom look like when it is not simply won, but imagined into being? Opening at The Museum of Modern Art in New York, ‘Freedom and Futures: Emancipatory Art in Africa, 1956–1982’ revisits a transformative period…...