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News
Supernormal signs VERSUS for New Zealand representation
6+ day, 6+ min ago (136+ words) “We’re drawn to creatives who are willing to challenge conventions, pushing beyond the obvious both visually and thematically while protecting the intent throughout. That’s when the work begins to evolve into something more unexpected and genuinely compelling. “Across the wider…...
The Design Institute of Australia launches national advocacy campaign via Clemenger BBDO to count Australia's designers in the 2026 Census
1+ week, 2+ day ago (273+ words) Running across TV, digital and social platforms, the “Write DESIGNER” campaign empowers Australia’s design workforce to label themselves as “designers” in the upcoming Census on August 11, helping establish the first national benchmark of the country’s design community. At the heart…...
AI Meets Retouching: Claude Interviews Renowned International Retoucher Matt Supple
2+ week, 4+ day ago (1105+ words) Q1: How do you see AI image generation enhancing your workflow as a retoucher? I’ve been using AI heavily in my workflow lately, particularly on a job I just wrapped up that ran about two months. AI image extensions were incredibly…...
Sedona teams with Golden Wolf on high-octane Toyota campaign for Saatchi & Saatchi
3+ week, 5+ day ago (330+ words) Known internationally for their graphic irreverence and world-building sensibility, Golden Wolf’s unmistakable aesthetic, saturated colour, fluid transitions, layered motion design and playful visual chaos has made them one of the most recognisable creative studios operating globally today. Rather than following…...
Acclaimed photographer and director Simon Harsent launches Salt Moon
1+ mon, 1+ week ago (236+ words) Rather than operating from a fixed production model, Salt Moon is built around the belief that every project has different requirements. Some benefit from integrating seamlessly into an existing production structure, while others call for a purpose-built team assembled around…...
How Evil Ray became Australia + New Zealand's sole Yellow Pencil winner at the D&AD Awards
1+ mon, 2+ week ago (334+ words) The award, in the New Brand Identity category, was accompanied by a Graphite Pencil for Packaging Design. Pembleton led the Evil Ray project from end to end – overseeing everything from product development and packaging to manufacturing, operations, sales strategy and…...
Sistine Chapel: Revelations launches in Sydney via Jane Dillon Creative, Catalyst XR and The Many
1+ mon, 3+ week ago (538+ words) Campaign Brief A new large-scale immersive exhibition, Sistine Chapel: Revelations, has opened in Sydney, offering audiences the opportunity to experience the famous frescoes by Michelangelo and other Renaissance masters in a way not previously possible. Developed by the Catholic Archdiocese…...
Creative agency Frame brings South Australia's new destination philosophy to life at ATE26
1+ mon, 4+ week ago (579+ words) Hosted in Adelaide from 10-14 May 2026 for the first time since 2018, ATE26 welcomed more than 2,500 tourism delegates from over 30 countries, representing one of the most significant opportunities for South Australia to present itself to the global travel market. The body of work…...
Landor partners with Museum of Contemporary Art Australia on landmark AI exhibition
2+ mon, 1+ week ago (229+ words) Campaign Brief Landor Australia has revealed its creative partnership with the Museum of Contemporary Art Australia (MCA Australia) on Data Dreams: Art and AI, delivering a landmark exhibition for the institution. Engaged by the MCA to create an identity for…...
Bestads Best of the Week Reviewed by Sinead Roarty, Executive Creative Director, VML Czechia
3+ mon, 1+ week ago (324+ words) This week’s guest judge is Sinead Roarty, Executive Creative Director at VML Czechia. Runner-up: Pringles ‘Pringlelina: A Love Story‘. Another very human story featuring a non-human. In this follow-up to the ‘Pringleleo’ Super Bowl ad, our lovelorn hero creates Pringlelina,…...